The gallery
Gallery
No samples, no generative AI — all sound in these videos was created by modeling the physics of performance, instrument, and space... and doing the math.
About the “AI” label. These recordings were synthesized by Zaraforte from physically modeled instruments rather than generated by an audio-generative model. AI agents assisted with orchestration, performance, conducting, and production decisions, under direction from Peter Kaminski. The resulting performances were rendered deterministically by Zaraforte’s instrument and acoustic models — no generative AI was used to create any of the sound itself. YouTube makes us put the “AI” disclaimer on a video, because of the agents’ help, but it doesn’t apply to our sound. It’s Just Math And Physics™.
Toccata and Fugue in D minor, BWV 565
Music: J. S. Bach
Performed by Zaraforte: pipe organ, in a modeled church
Also sprach Zarathustra: Sunrise
Music: Richard Strauss
Performed by Zaraforte: full orchestra and organ
Carmen: Prélude to Act I
Music: Georges Bizet
Performed by Zaraforte: full orchestra
Fugue from BWV 565
Music: J. S. Bach
Performed by Zaraforte: two trombones and tuba
Amazing Grace
Music: Traditional (New Britain, 1829)
Performed by Zaraforte: Highland bagpipes and military band, after the Royal Scots Dragoon Guards
Clair de lune
Music: Claude Debussy
Performed by Zaraforte: solo piano
Harbor (Vienna Teng cover)
Music: Vienna Teng
Performed by Zaraforte: solo piano
Lullabye for a Stormy Night (Vienna Teng cover)
Music: Vienna Teng
Performed by Zaraforte: solo piano
I Don't Like Mondays (Boomtown Rats cover)
Music: Bob Geldof and John Moylett (The Boomtown Rats)
Performed by Zaraforte: piano, the part as heard on the record